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All the same, Autobahn is still a transitional effort - from that point on their music became robotic and synthesizer-based, but a few spots still feature guitar, flute or even a little spooky dissonant violin freak-out on the sinister "Mitternacht". And the album closer, the serene "Morgenspaziergang" sounds surprisingly acoustic and human. It is also the closest thing to Kraftwerk's pre-Autobahn material, it would've fit perfectly on Ralf and Florian. Part of this record's appeal is that while their classic robotic style has reared its head here full blown, there are occasional elements and non-electronic instrumentation still harking back to Kraftwerk's initial art-rock phase. Autobahn is groundbreaking and innovative without being a demanding listen as was the case with 1970-73 albums, as well as presenting their trademark Teutonic android futurism that isn't as overtly cold or detached as on subsequent Kraftwerk discography.
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