Saturday, January 24, 2009

Animal Collective - Merriweather Post Pavilion

American avant garde group Animal Collective, who also performed a memorable gig in Tallinn a couple of years ago, is one of the main acts associated with the nascense of the so-called freak-folk trend during the last decade. One can certainly note the folky tendencies on the album Sung Tongs (2004), that indeed presented the bold and crazy animal collective at its most acoustic.

At its most simplified one can say that with its crazy eccentricity, shamanic suggestion and spirited affinity to nature, Animal Collective does embody everything that is both idiosyncratically charming as well as overblown and self-important in freak-folk. Then again, AC is too eclectic to fit in to any stylistic limitations as implied by a "scene". They've covered a wide territory actually, from neo-psychedelia and progressive folk to krautrock and noise-pop.
Merriweather Post Pavilion, the band's ninth studio-album, demonstrates that these post-modern neo-hippies as critical darlings have reached to the phase of electronic dance music. Merriweather Post Pavilion itself is a concert venue in the USA, that the band members have particularly fond memories from the childhood, that they've tried to put into their music here as well. AC recorded this album as a trio (of Avey Tare, Panda Bear and Geologist), given that Deakin took time off from the band.

Does MPP imply that AC has gone techno? It would be a sin to represent this album in such an oversimplified manner. It's true that the band's already hypnosuggestive motorik groove is now fed by drum machines and sequences and thus the myth of AC as archetypal freak-folkies is now apparently shattered for good. Otherwise, Collective has stilistically stayed true to their trademark psychedelic atmospheres and the overabundant multilayered nature of their arrangements. And actually the more prominent electronic elements simply underscore the notion that the trademark AC style and the basic essence of electronica are very compatible.

Certainly, MPP is one of the most accessible AC albums. That the songs longer than six minutes are now gone is but one fact to demonstrate it. The same band, who could put fifteen minute jams on the record earlier on. Some of the tunes, "Brothersport" actually have some kind of a "hit" potential.

Still the style of AC is so dense that it remains challenging to the conventional listener. This is still not easy listening. MPP, in its own way, is even more avant-garde than previous albums. It's a great art and challenge to condense ideas into a shorter format that are all too tempting to be expressed during 20 minutes as is the usual wont of experimental musicians. Animal Collective has risen up to the challenge well and delivered their most subtle record to date.



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